Fannish 50 S3 Post 47: Niagara (NOIRVEMBER)
Nov. 1st, 2025 11:14 amAnd so, we arrive at November and the first of several posts abt film noirs I've watched.
Niagara (Hoopla)
From 1953, this film is a surprisingly intense movie.
Ray (Casey Adams) and Polly (Jean Peters) are a married couple who are enjoying their honeymoon some three years after their wedding. The plan is to spend a longish weekend at Niagara Falls AND for Ray to also do a bit of networking with the main boss of his company. ANYWAYS, once they get to the lodge place, they find out that there's another couple staying in the cabin they'd reserved.
Rose (Marilyn Monroe) manages to convince everyone to allow them stay a bit longer in the cabin because George (Joseph Cotten), her husband, is recovering from something after leaving the hospital. FWIW, there's a lot of tension between them. It's not clear how long they've been married, but George is not okay. Meanwhile, Rose treats him with a lot of contempt. The rest of the time, she likes to poke at his jealousy for funsies? Their dynamic is v. odd.
Ray and Polly do the tourist-y things, generally having a good time. During one of the excursions, Polly happens to find out that Rose is stepping out on George with someone elseβ¦
It had been at least 15 yrs since I first watched this movie. In all truth, I don't think I paid that much attention the first time around since I only had the vaguest of memories abt the plot this time around. The more I watched, the more I started to remember.
This is a FANTASTIC MOVIE FROM BEGINNING TO END. It's extreeeeeeeeeeeeemely noir: v. suspenseful, and gorgeously photographed. Marilyn Monroe was at the height of her power as a sex symbol. However, her role in this movie is the opposite of her happy-go-lucky, coquettish and ditzy persona. Rose is manipulative and will do whatever she needs to do to get ahead. So, if you're someone whose exposure to her filmography has only been the comedies (The Seven-Year Itch, How To Marry a Millionaire, etc), this is a movie that shows the depth of her acting talent.
OFC, Joseph Cotten NEVER made a bad movie. George is super complex yet easy to feel sympathy for.
The MVP is Jean Peters as Polly. She is a character who is kind and smart. At times, she shows lets some of her steeliness/backbone show and I applauded her for that. Especially at times when she's repeatedly dismissed by people (including her husband Ray who should've known better.) That said, it is because of her kindness that she's able to persevere. Peters was soo good that I want to check out other movies she's in.
As for the rest of the cast, everyone's fine?
Again, since the movie was filmed in Technicolor, the cinematography is AMAZING. Everything just pops off the screen. The movie itself is so engaging that, even when there are long scenes with little to no dialogue, viewers can't take your eyes off the screen. It's THAT good.
Do I have any criticisms?
There's a B plot abt Ray's boss (Mr. Kettering) who was obnoxious AF. Kudos to Don Wilson (the actor who portrayed him) for getting on my nerves, I guess. LOL. I think my annoyance was compounded by the fact that I really didn't care abt Ray. He was SUCH a loser.
I also don't know how I feel abt some parts of the ending (specifically the climax.)
Do I recommend it?
Hell fucking yeah! This movie has everything working so well that even the Mr. Kettering scenes weren't enough to deter me. I'm giving it a 4 out of 5.
Queerness level:
It's so low that one would have to jump thru many logic loops to come up with crumbs. :(
Niagara (Hoopla)
From 1953, this film is a surprisingly intense movie.
Ray (Casey Adams) and Polly (Jean Peters) are a married couple who are enjoying their honeymoon some three years after their wedding. The plan is to spend a longish weekend at Niagara Falls AND for Ray to also do a bit of networking with the main boss of his company. ANYWAYS, once they get to the lodge place, they find out that there's another couple staying in the cabin they'd reserved.
Rose (Marilyn Monroe) manages to convince everyone to allow them stay a bit longer in the cabin because George (Joseph Cotten), her husband, is recovering from something after leaving the hospital. FWIW, there's a lot of tension between them. It's not clear how long they've been married, but George is not okay. Meanwhile, Rose treats him with a lot of contempt. The rest of the time, she likes to poke at his jealousy for funsies? Their dynamic is v. odd.
Ray and Polly do the tourist-y things, generally having a good time. During one of the excursions, Polly happens to find out that Rose is stepping out on George with someone elseβ¦
It had been at least 15 yrs since I first watched this movie. In all truth, I don't think I paid that much attention the first time around since I only had the vaguest of memories abt the plot this time around. The more I watched, the more I started to remember.
This is a FANTASTIC MOVIE FROM BEGINNING TO END. It's extreeeeeeeeeeeeemely noir: v. suspenseful, and gorgeously photographed. Marilyn Monroe was at the height of her power as a sex symbol. However, her role in this movie is the opposite of her happy-go-lucky, coquettish and ditzy persona. Rose is manipulative and will do whatever she needs to do to get ahead. So, if you're someone whose exposure to her filmography has only been the comedies (The Seven-Year Itch, How To Marry a Millionaire, etc), this is a movie that shows the depth of her acting talent.
OFC, Joseph Cotten NEVER made a bad movie. George is super complex yet easy to feel sympathy for.
The MVP is Jean Peters as Polly. She is a character who is kind and smart. At times, she shows lets some of her steeliness/backbone show and I applauded her for that. Especially at times when she's repeatedly dismissed by people (including her husband Ray who should've known better.) That said, it is because of her kindness that she's able to persevere. Peters was soo good that I want to check out other movies she's in.
As for the rest of the cast, everyone's fine?
Again, since the movie was filmed in Technicolor, the cinematography is AMAZING. Everything just pops off the screen. The movie itself is so engaging that, even when there are long scenes with little to no dialogue, viewers can't take your eyes off the screen. It's THAT good.
Do I have any criticisms?
There's a B plot abt Ray's boss (Mr. Kettering) who was obnoxious AF. Kudos to Don Wilson (the actor who portrayed him) for getting on my nerves, I guess. LOL. I think my annoyance was compounded by the fact that I really didn't care abt Ray. He was SUCH a loser.
I also don't know how I feel abt some parts of the ending (specifically the climax.)
Do I recommend it?
Hell fucking yeah! This movie has everything working so well that even the Mr. Kettering scenes weren't enough to deter me. I'm giving it a 4 out of 5.
Queerness level:
It's so low that one would have to jump thru many logic loops to come up with crumbs. :(